Charmed Will Smith is sole survivor, too

Will Smith already has it all: the picture-perfect family, a film career that blends commercial hits with artistic acclaim, the occasional foray into music, where he scored his first success. Now Smith even gets to outlive us all. In his latest film, I am Legent one of Hollywood's most consistent box-office draws plays the man who may be the sole human survivor of a global plague. The 39-year-old's golden touch would be vexing, if he weren't such a nice guy. "Until I met him, I've always believed that there are balances in people. That you really can't be smart, handsome, charismatic, happy. You can't be all of that," said Legend director Francis Lawrence. "He's one of the only people that I can truly say kind of has all of that. He's funny, he's charming, he's smart, he's handsome, he's happy, he's got a great marriage, he's a great father, he's great at what he does, he's happy at what he does. It's sort of disgusting. So if anybody would be the last man standing, it's Will." How lucky is he? Here's how the past year has gone for Smith, who made the leap to the big screen after rising to TV stardom with The Fresh Prince of Bel Air. After a string of hits such as the romance Hitch, the cartoon comedy Shark Tale and the sci-fi saga I, Robot, Smith put out last December's smaller, riskier The Pursuit of Happyness, the story of a struggling single dad who ends up homeless along with his young son. Not necessarily the feel-good film of the holiday season, and topping things off, the boy was played by Jaden Smith, his 9-year-old son with actress Jada Pinkett Smith. That could have spelled dreary ego project, but the film caught on with audiences, becoming Smith's latest $100 million smash and earning him his second Academy Award nomination as best actor, following a previous honor for the title role in 2001's Ali. Now he's back with an apocalyptic tale f or the holidays, when people generally have things on their minds other than the end of the world. If anyone can turn I Am Legend into a hit, though, it has to be Smith. Oh, and he gets to work with one of his kids again. This time, it was take-Will's-daughter-to-work day, with his and Pinkett Smith's 7-year-old girl, Willow Smith, playing his daughter in flashback scenes. With mom and dad in show business, the children seem to have acting bred in the bone, Smith said. "Jaden always likes the scripts for some reason. He likes having scripts read to him. He likes the idea of maybe the shorter pages of reading than actually a book," Smith told The Associated Press in an interview. "So he from 4 years old has always said, `Acting's easy. I don't know why it's such a big deal. What you do, Daddy, I can do that easy.'"He looks at the Fresh Prince and he's like, `That's not even good acting, Daddy.'"Jaden and Willow already have very different acting approaches, Smith said. His son is an emotional sponge, absorbing the moods of those around him, reacting with authentic, visceral feeling to others, even in make-believe acting situations. On the other hand, Willow is Teflon, taking things in and making conscious choices over how to react in her performance, Smith said. Smith's own style comes closer to his son's. "I need everyone to be in a good mood in order to be able to perform well," Smith said. "I need the set to be comfortable. I need the emotion or the mood of the set to lend itself to the mood of the scene. Those types of things are a real necessity for me. "I will get physically sick if I spend too much time in down situations. I was in Sweden once in the winter time when it's dark. I got physically sick. And it's hugely important for me to be like (claps his hands loudly) `Come on, let's get going!' I'm faster, I'm better, I can be funnier. It's better for my body, for my sanity, for my family, for my life, if people are having fun. My skin is better." Nearly everyone gets physically sick in I Am Legend, the third adaptation of Richard Matheson's book, which previously was filmed as Vincent Price's The Last Man on Earth and Charlton Heston's The Omega Man. This version has Smith alone with a dog for much of the movie, scrounging supplies in New York City and trying to find a cure for a disease that has wiped out most of humanity and turned the rest into ravenous, vampire-like creatures. Besides the dog, Smith interacts mainly with mannequins for the first hour, so the role required someone with huge charisma to hold audiences' attention. "It's a big challenge, and I really admire him for it," said Alice Braga, who plays one of the film's few other human characters. "He's perfect for this role. People are really engaged with him. When he walks in a room, of course, everyone goes, `It's Will Smith!' But forget that he's Will Smith. He is really that engaging." Smith's infectious personality turns movie sets often overloaded with egos and prima donnas into truly pleasant workplaces, colleagues say. "Will comes in every day as if it is his job to be generous. It's so extraordinary. It engenders this work environment where you feel safe and you get to play around. There's nothing worse than a movie set where there are eggshells on the floor," said Akiva Goldsman, whose credits include the screenplays for I Am Legend, I, Robot and next summer's Hancock, in which Smith plays an alcoholic superhero opposite Charlize Theron. Goldsman jokes that he wants fellow Hollywood saint Ron Howard, for whom he wrote the screenplay for A Beautiful Mind, to work on a film together "so that we could all die of nice." Smith and Howard would make a good fit, men with keen box-office instincts but also an interest in stretching themselves artistically, so they're not just doing the same thing over and over. In Smith's case, work choices come down to stories and filmmakers. "It's all material and team. It's that simple," Smith said. "My experience has been that a lot of actors start with a good role that they would want to play. I never start with the role. I start with, is this a movie that people would want to see? Would anyone want to see this movie? OK, who? What about this makes it a MOVIE people want to see vs. a CHARACTER people would want to see?" Most of Smith's big-budgeted films have paid off nicely, including the Men in Black movies, Bad Boys II and Independence Day. Even his few misses, such as The Legend of Bagger Vance, have tended toward fiscal responsibility, since those more character-driven pieces are shot on lower budgets than his $100-million-plus spectacles, with Smith taking a much smaller paycheck up front. "The budget has to be on par, parallel to the audiences' desire to see the movie. Then every once in a while, you're wrong one way or the other. I was actually dead wrong with Pursuit of Happyness. It was, `OK, this movie has to be $40 million, and I'm not taking my fee and all of that.' " Which turned out to be wrong. But that's the good wrong......If you're wrong the Pursuit of Happyness way, you're a hero. If you're wrong the other way, you get 75 people fired at the studio, and I don't ever want to be that guy."